| dc.contributor.author | Sumaya, Umme | |
| dc.date.accessioned | 2025-01-01T07:13:03Z | |
| dc.date.available | 2025-01-01T07:13:03Z | |
| dc.date.issued | 2007-08-25 | |
| dc.identifier.uri | http://dspace.ewubd.edu:8080/handle/123456789/4511 | |
| dc.description | This thesis submitted in partial fulfillment of the requirements for the degree of MA in English Language and Literature of East West University, Dhaka, Bangladesh | en_US |
| dc.description.abstract | BLOOD-REVENGE as a definite code appears sporadically in contemporary times; but it was universal among primitive peoples and strongly influenced their religion, law, and customs. The mod ern theory of crime presupposes the existence of a State whose laws or regulation are broken , and punishment inflicted by this State for the breach of its rules. But in the earliest times there CQuid be no crime because there was n o State. Instead , a simple injury was inflicted by one individual on another or on a group of individuals bound together by the tie of relationship. F or redress of this personal injury, in present times distinguished as a tort, the only possible action for the primitive individual was a direct revenge upon his injurer. Since an act of violence was not a crime but merely a personal injury, the revenge for it in kind was the first manifestation of a consciousness of justice, for private revenge was the mightiest, the only possible form in which a wrong could be righted . | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | East West University | en_US |
| dc.relation.ispartofseries | ;ENG00040 | |
| dc.subject | William Shakespeare’s Hamlet | en_US |
| dc.title | The Theme of Revenge and William Shakespeare’s Hamlet | en_US |
| dc.type | Thesis | en_US |